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Lubricate Your Living Room (subtitled on some editions as Background Music for Now People) is the debut studio album by Scottish post-punk band The Fire Engines. It was released in 1981, through record label Pop Aural.
The album was conceived by Bob Last, with the Fire Enginers "playing the role of willing accomplice" in the words of Innes Reekie of Louder Than War, who describe the album's concept as "music to go out to, to put you in the mood for 'action and fun'." Indeed, the album's subtitle is Background Music for Action People.
Several members of the band, their manager Angus Whyte and several of their art school friends (including Paul Steen, who helped the band issue their first single), regularly visited Last's Edinburgh flat and became regulars at the nearby Tap o'Lauriston pub. It was in the pub and at Last's flat that the gathered people exchanged ideas which ultimately provided the impetus for a chain of Fire Engines releases which were released in sleeves featuring household objects and titled in parody to the langue of modern advertising, namely Lubricate Your Living Room and "Get Up and Use Me" and "New Things in Cartoons" singles.
The Fire Engines were an influence on many bands that followed, including Franz Ferdinand and The Rapture, with Meat Whiplash and The Candyskins both taking their names from Fire Engines songs. In August 2017 the band reformed to play a benefit for Leith Theatre along with Irvine Welsh and Ewen Bremner. The Fire Engines comprise David (Davy) Henderson (vocals/guitar), Murray Slade (guitar), Graham Main (bass), and Russell Burn (drums). The band name was inspired by a 13th Floor Elevators song. Henderson, Main, and Burn had previously been members of The Dirty Reds, along with Russell Burn's brother Tam Dean Burn, while Slade had played in Station Six. The Fire Engines' debut release was the "Get Up And Use Me"/"Everything's Roses" single, released on manager Angus Groovy's Codex Communications label in 1980; The band had recorded their entire set twice in a Fife bungalow with producer Wilf Smarties, at a cost of £46, with these two tracks selected for release.
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