“Here Comes the Warm Jets”, Eno

This way: Here Comes the Warm Jets

Art seminar class, High School, probably 1976 or 7. This LP gets folded into the mix, we were already hip to Roxy Music. And it really doesnt get much better than this. Thanks to Gerri B!  

[Spotify] Here Comes the Warm Jets

“Tiger Circus”, The Last Gray Wolf

This way: Tiger Circus

The Last Gray Wolf is a Music project by Coner Gleeson and  Jason Abraham Roberts based in San Francisco.  

[Spotify] Tiger Circus

“Weathered Statues”, T.S.O.L.

This way: Weathered Statues

T.S.O.L. (True Sounds of Liberty) is an American punk rock band formed in 1978 in Long Beach, California. Although most commonly associated with hardcore punk, T.S.O.L.'s music has varied on each release, including such styles as deathrock, art punk, horror punk, other varieties of punk music, and hard rock.

Formed in 1978 in Long Beach, T.S.O.L. originated as a punk band. While the band first used the name Vicious Circle, they eventually changed their name to T.S.O.L by September 1980. The original lineup consisted of vocalist Jack Grisham (who has been credited as Jack Greggors, Alex Morgon, Jack Ladoga, Jack Delauge and Jack Loyd, among pseudonyms), guitarist Ron Emory, bassist Mike Roche and drummer Todd Barnes. According to legend, the band acquired their instruments by casing a local music shop, waiting until closing, and then performing a smash-and-grab robbery.

T.S.O.L.'s debut five-song EP, T.S.O.L., was released in spring 1981 by Posh Boy Records, featuring the reconvened original lineup. This first release was harshly political, featuring tracks such as "Superficial Love", "World War III" and "Abolish Government".

Their first full-length album, Dance with Me, was released later in 1981 on Frontier Records, and showcased a more gothic/deathrock sound. They then signed to independent label Alternative Tentacles, releasing the Weathered Statues EP early in 1982, and the melodic Beneath the Shadows album later that year; the latter featured a new member, keyboardist Greg Kuehn.  

Amid personal turmoil, Grisham, Barnes and Kuehn all left the band in 1983. This from 1982.

[Spotify] Weathered Statues

“DNA”, Margaux

This way: DNA

On her debut album, the New York singer-songwriter grapples with the big feelings and small details of young adulthood the 23-year-old NYC–based artist has curated a dazzling blend of . . . Margaux, born Margaux Bouchegnies, is a Seattle-born singer-songwriter and bass guitarist whose 2019 debut EP, More Brilliant Is the Hand That Throws the Coin, captured . . .     

[Spotify] DNA

“Bull Doze Blues”, Henry Thomas

This way: Bull Doze Blues

Henry Thomas (1874 – 1930) was an American country blues singer, songster and musician. Although his recording career, in the late 1920s, was brief, Thomas influenced performers including Bob Dylan, Taj Mahal, the Lovin' Spoonful, the Grateful Dead, and Canned Heat. Often billed as "Ragtime Texas",Thomas's style is an early example of what later became known as Texas blues guitar. 

Thomas was born into a family of freed slaves in Big Sandy, Texas, in 1874. He began traveling the Texas railroad lines as a hobo after leaving home in his teens. He eventually earned his way as an itinerant songster, entertaining local populaces as well as railway employees.

He recorded 24 sides for Vocalion Records between 1927 and 1929, 23 of which were released. They include reels, gospel songs, minstrel songs, ragtime numbers, and blues. Besides guitar, Thomas accompanied himself on quills, a folk instrument fabricated from cane reeds whose sound is similar to the zampona played by musicians in Peru and Bolivia. His style of playing guitar was probably derived from banjo-picking styles.

His life and career after his last recordings in 1929 have not been chronicled. Although the blues researcher Mack McCormick stated that he saw a man in Houston in 1949 who met Thomas's description, most biographers indicate that Thomas died in 1930, when he would have been 55 or 56 years old. Thomas's legacy has been sustained by his songs, which were revived by musicians beginning in the folk music revival of the early 1960s. Among the first of these was "Honey, Won't You Allow Me One More Chance", which was reinterpreted by Bob Dylan on the album The Freewheelin' Bob Dylan in 1963 under the title "Honey, Just Allow Me One More Chance". Dylan may have been introduced to Thomas through Harry Smith's 1952 compilation Anthology of American Folk Music, which includes two of Thomas' songs, "Old Country Stomp" and "Fishing Blues". Dylan may have heard Thomas's song on the 1962 album Henry Thomas Sings the Texas Blues. Dylan reworked the melody and almost totally rewrote the lyrics, but he credited Thomas as co-writer on his album Freewheelin'. 

[Spotify] Bull Doze Blues

“Acceleration”, Bill Nelson

This way: Acceleration

Here is one of my all time favorite recording artists. Bill Nelson (born 18 December 1948) is an English singer, guitarist, songwriter, producer, painter, video artist, writer and experimental musician. He rose to prominence as the chief songwriter, vocalist and guitarist of the rock group Be-Bop Deluxe, which he formed in 1972. Nelson has been described as "one of the most underrated guitarists of the seventies art rock movement". In 2015, he was recognised with the Visionary award at the Progressive Music Awards. In 1973, Nelson's debut solo album Northern Dream, released on his own independent Smile label, drew further attention from Peel which eventually led to Nelson's band Be-Bop Deluxe signing to EMI's Harvest Records subsidiary and releasing Axe Victim in 1974. Nelson replaced the original band members for Futurama in 1975. The lineup of Bill Nelson (guitar), Andrew Clark (keyboards), Charlie Tumahai (bass) and Simon Fox (drums) recorded Sunburst Finish and Modern Music in 1976, the live album Live! In The Air Age in 1977 and their final studio album Drastic Plastic in 1978.  

[Spotify] Acceleration

“American Jesus”, Bad Religion

This way: American Jesus

Bad Religion is an American punk rock band, formed in Los Angeles, California, in 1980. The band's lyrics cover topics related to religion, politics, society, the media and science. Musically, they are noted for their melodic sensibilities and extensive use of three-part vocal harmonies. The band has experienced multiple line-up changes, with singer Greg Graffin being the band's only constant member, though fellow founding members Jay Bentley and Brett Gurewitz have also been with the band for most of their history while guitarist Brian Baker has been a member of the group since 1994. Guitarist Mike Dimkich and drummer Jamie Miller have been members of the band since 2013 and 2015 respectively. To date, Bad Religion has released seventeen studio albums, two live albums, three compilation albums, three EPs, and two live DVDs. They are considered to be one of the best-selling punk rock acts of all time, having sold over five million albums worldwide. 

After gaining a large underground following and critical praise through their releases on Gurewitz's label Epitaph in the 1980s and early 1990s, Bad Religion experienced mainstream success after signing to the major label Atlantic in 1993. The band pioneered the punk rock revival movement of the 1990s, establishing a formula for California-based punk bands such as Green Day and Epitaph-signed acts the Offspring, NOFX and Rancid. They are also cited as an inspiration or influence on the 1990s and 2000s pop punk, skate punk, post-hardcore, screamo and emo scenes

[Spotify] American Jesus

“Overdrive”, Ratcat

This way: Overdrive

Ratcat are an Australian indie rock band from Sydney who formed in 1985. The band is fronted by mainstay vocalist and guitarist, Simon Day. Their combination of indie pop song writing and energetic punk-style guitar rock won them fans from both the indie and skate-punk communities. They found mainstream success with their extended play, Tingles (October 1990), album Blind Love (June 1991) and the single, "Don't Go Now" (April), which all reached No. 1 on the ARIA Charts during 1991. Ratcat ceased performing live regularly in the late 1990s; however, they continue to perform sporadically. During their career, much of Ratcat's albums and singles artwork was created by Simon Day. 

[Spotify] Overdrive

[The not acoustic version] Overdrive

“The Death of Pop”, The Rub

This way: The Death of Pop

Debut album by San Pedro CA's THE RUB, a pop/punk three-piece with alternately wry and heartfelt material. Count WHO KILLED BOB CRANE? among the former and THE DEATH OF POP among the latter. Upon its original release in 1987, lauded by the LA Weekly as one of the year's top 10. Released January 1, 1987.

E. Patrick Mooney - bass, vocals; Daniel Duarte - guitar, vocals; Tim Baker: drums. Produced by Dan Duarte 

[Spotify] The Death of Pop

“Bloody Hammer”, Roky Erickson

This way: Bloody Hammer

Roky Erickson (July 15, 1947 – May 31, 2019) was an American musician and singer-songwriter. He was a founding member and the leader of the 13th Floor Elevators and a pioneer of the psychedelic rock genre. 

Erickson was born in Dallas, Texas to Roger and Evelyn Erickson, and had four younger brothers. The nickname "Roky", a contraction of his first and middle names, was given to him by his parents. His father, an architect and civil engineer, was stern and disapproving of Erickson's countercultural attitudes, once forcibly cutting his son's hair rather than allow him to grow it out Beatles-style. His mother was an amateur artist and opera singer, and encouraged Erickson's musical talent by taking guitar lessons herself so she could teach him.

In late 1965, at age 18, Erickson co-founded the 13th Floor Elevators. He and bandmate Tommy Hall were the main songwriters. Early in her career, singer Janis Joplin considered joining the Elevators, but Family Dog's Chet Helms persuaded her to go to San Francisco instead, where she found major fame. In 1968, while performing at HemisFair, Erickson began speaking gibberish. He was diagnosed with paranoid schizophrenia and sent to a Houston psychiatric hospital, where he involuntarily received electroconvulsive therapy.

The Elevators were vocal proponents of marijuana and psychedelic drug use, and were subject to extra attention from law enforcement agencies. In 1969, Erickson was arrested for possession of a single marijuana joint in Austin. Facing a potential ten-year incarceration, Erickson pleaded not guilty by reason of insanity to avoid prison. He was first sent to the Austin State Hospital. After several escapes, he was sent to the Rusk State Hospital in Rusk, Texas, where he was subjected to more electroconvulsive therapy and Thorazine treatments, ultimately remaining in custody until 1972.

This album, The Evil One,  from 1980.

[Spotify] Bloody Hammer

“Watch the Moon Come Down”, Graham Parker

This way: Watch the Moon Come Down

Graham Parker (born 18 November 1950) is an English singer-songwriter, who is best known as the lead singer of the British band Graham Parker & the Rumour. Graham Parker and the Rumour appeared on BBC television's Top of the Pops in 1977, performing their version of The Trammps' "Hold Back the Night" from The Pink Parker EP, a top 30 hit in the UK Singles Chart in March 1977. At this point, Parker began to change his songwriting style, hoping to break into the American market. The first fruits of this new direction appeared on Stick To Me (1977), which broke the top 20 on the UK Albums Chart.  

[Spotify-Live version] Watch the Moon Come Down

“Going Up”, Echo & the Bunnymen

This way: Going Up

Crocodiles is the debut album by the English post-punk band Echo & the Bunnymen. It was released on 18 July 1980 in the United Kingdom and on 17 December 1980 in the United States. The album reached number 17 on the UK Albums Chart. "Pictures on My Wall" and "Rescue" had previously been released as singles.

Recorded at Eden Studios in London and at Rockfield Studios near Monmouth, Crocodiles was produced by Bill Drummond and David Balfe, while Ian Broudie had already produced the single "Rescue".  

Echo & the Bunnymen formed in 1978 and originally consisted of Ian McCulloch (vocals and rhythm guitar), Will Sergeant (lead guitar), Les Pattinson (bass) and a drum machine. They released their debut single, "The Pictures on My Wall", in May 1979 on the independent label Zoo Records. The band then signed with WEA subsidiary label Korova and were persuaded to employ a drummer. Pete de Freitas subsequently joined the band, and in early 1980 they recorded their second single, "Rescue". The single was recorded at Eden Studios in London and produced by fellow Liverpudlian and ex-member of Big in Japan Ian Broudie. 

[Spotify] Going Up

“That Summer Feeling”, Jonathan Richman

This way: That Summer Feeling

I, Jonathan is the fourth solo album by Jonathan Richman, released by the Rounder Records label in 1992. As the founder of influential proto-punk band The Modern Lovers, Richman had striven to convey authentic emotions and storytelling with his music. I, Jonathan continued this aesthetic with simple and sparse rock and roll arrangements, and straightforward lyrics about everyday topics, such as music, parties, summer, and dancing. It is widely-regarded as one of his best works, and is considered an influential album in the lo-fi genre.

Songs on the album addressed topics such as backyard parties ("Parties in the U.S.A"), memories of neighborhoods in which Richman had lived ("Rooming House on Venice Beach" and "Twilight in Boston") and his admiration of his primary musical inspiration, the Velvet Underground ("Velvet Underground"). The latter song includes a brief interlude of the Velvet Underground song, "Sister Ray". 

[Spotify] That Summer Feeling

“Endlessly”, John Foxx

This way: Endlessly

John Foxx (born Dennis Leigh; 26 September 1948) is an English singer, musician, artist, photographer, graphic designer, writer, teacher and lecturer. He was the original lead singer of the new wave band Ultravox, before leaving to embark on a solo career in 1980 with the album Metamatic.

The Golden Section is a 1983 album by English musician John Foxx. A progression from the sound of The Garden (1981), Foxx called The Golden Section "a roots check: Beatles, Church music, Psychedelia, The Shadows, The Floyd, The Velvets, Roy Orbison, Kraftwerk, and cheap pre-electro Europop". The album was Foxx's first work with a producer since his final Ultravox album, Systems of Romance, in 1978; The Golden Section was co-produced by Zeus B. Held, well known in the Krautrock scene of the 1970s. In addition to Foxx's wide array of synthesizers, the production made extensive use of vocoder effects and sampling, along with traditional rock guitarreggae and new wave music. 

[Spotify] Endlessly

[Cool extended version] Endlessly

“Everytime the Sun Comes Up”, Sharon Van Etten

This way: Everytime the Sun Comes Up

Sharon Katharine Van Etten (born February 26, 1981) is an American singer-songwriter. She has released the albums Because I Was in Love (2009), Epic (2010), Tramp (2012), Are We There (2014), Remind Me Tomorrow (2019) and We've Been Going About This All Wrong (2022).

Van Etten was born in Belleville, New Jersey, the middle child of five. She lived in Nutley, New Jersey, then moved to Clinton, New Jersey as a pre-teen. She attended North Hunterdon High School, at which she participated in the chorus and performed in stage musicals.

 

Later, she moved to Murfreesboro, Tennessee to attend Middle Tennessee State University and studied recording, but dropped out after a year. She ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro for about five years. She fell into an abusive relationship with a rock musician who discouraged her from writing songs. After five years, she left in the middle of the night with whatever she could carry. She lived in Brooklyn, New York for a number of years, in the neighborhood of Ditmas Park. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records.

[Spotify] Everytime the Sun Comes Up

[Charming Live] Everytime the Sun Comes Up

[Charming Billy Corgan Live] Everytime the Sun Comes Up

[Original Sharon] Everytime the Sun Comes Up

“Drugland Weekend”, Hounds

This way: Drugland Weekend

So sorry to have to post this, but it is not good. But it is so odd that I must. I saw that they appeared on the New Wave sampler from CBS that I happen to have. But dude that's a lot of hair and beards to be new wave. It was made at that intersection period of is it rock, glam, hard rock? And record companies wanted to cash in on the new new new. I can see this being a good opening band for Queen. Spinal Tap would have a crush on this band. That cover pic is very Smell the Glove.

Manufactured By – CBS Records 1978. With Bass – Joe Cuttone, Drums, Percussion – John Horvath, Guitar – Glen Rupp, Jim Orkis, Vocals, Keyboards – John Hunter.

[Spotify] No!

The whole record is here: Unleashed

“Is that Love”, Squeeze

This way: Is that Love

Squeeze are an English rock band that came to prominence in the United Kingdom during the new wave period of the late 1970s, and continued recording in the 1980s, 1990s and 2010s. In the UK, their singles "Cool for Cats", "Up the Junction", and "Labelled with Love" were top-ten chart hits. Though not as commercially successful in the United States, Squeeze had American hits with "Tempted", "Black Coffee in Bed", and "Hourglass", and were considered a part of the Second British Invasion.

In the vast majority of their material, lyrics are written by Chris Difford and music by Glenn Tilbrook, who are guitarists and vocalists in the band. The duo were hailed as "the heirs to Lennon and McCartney's throne" during the band's initial popularity in the late 1970s. The group formed in Deptford, London, in 1974, and first broke up in 1982. Squeeze then reformed in 1985, and disbanded again in 1999.

 

The band reunited for tours through the United States and United Kingdom in 2007. In 2010, they issued Spot the Difference, an album of newly recorded versions of older material. The band's first album of all-new material since 1998, Cradle to the Grave, was released in October 2015, followed by another album, The Knowledge, in October 2017.

[Spotify] Is that Love

“Shopping Center Sunsets”, T. Hardy Morris

This way: Shopping Center Sunsets

The guitarist and singer with the psych-influenced, defiantly Southern hard rock band Dead Confederate, Georgia-born T. Hardy Morri has also made a name for himself as a solo artist and as a gifted collaborator working with several side projects. Formed in Augusta, Georgia in 1997 by Thomas Hardy Morris and longtime friend Walker Howle, Dead Confederate slowly evolved from a jam band called Redbelly that favored 20-minute improvisations to a tighter, more ambitious group thanks in part to Morris' growing skills as a songwriter. Despite Dead Confederate's busy schedule, Morris had more than enough musical ideas to go around, and in 2011, his friend John McCauley of Deer Tick invited him to join an ad hoc band featuring Ian St. Pé of the Black Lips, Steve Berlin of Los Lobos, Bryan Dufresne of Six Finger Satellite, and McCauley's bandmate Robbie Crowell. Dubbing the project Diamond Rugs the quintet released a self-titled debut album in 2012 and a second LP, Cosmetics, in 2015. In 2013, Morris had accumulated a number of songs that didn't fit Dead Confederate or Diamond Rugs, and he opted to make his first solo album; Audition Tapes, credited to T. Hardy Morris & the Outfit, revealed a different side of his music, with a looser and more languid tone than he showed in Dead Confederate. In 2015, Morris dropped a second solo effort, Drownin' on a Mountaintop, this time under the group name Hardy & the Hardknocks. This track from 2021. 

[Spotify] Shopping Center Sunsets

“Money Changes Everything”, The Brains

This way: Money Changes Everything

The Brains were an American rock band from Atlanta, Georgia, led by songwriter Tom Gray in the late 1970s and early 1980s. Their 1980 debut album was entitled The Brains, and was produced by Steve Lillywhite for Mercury Records. The album included "Money Changes Everything", originally released by the band in 1978, which became a hit single for Cyndi Lauper when she covered it in 1983. After a second Mercury recording in 1981, Electronic Eden (also produced by Lillywhite) and then an independently released EP, Dancing Under Streetlights, the band split up. A song from Electronic Eden, "Heart in the Street", was covered by Manfred Mann's Earth Band on their 1980 album Chance as "Heart on the Street."

The band appeared many times at Atlanta's premier new wave/alternative rock venue, 688 Club (named for its address, 688 Spring Street), referred to locally as simply "688." The video for Dancing Under Streetlights was filmed one night in Spring Street, out in front of the club. The video would receive light rotation on MTV in early 1983 They were also the opening act for the August 3, 1980 Devo concert at Atlanta's Fox Theatre, an April 1981 headlining performance at J.B. Scott's in Albany, New York, and the May 22, 1982, headlining performers at the Milestone Club in Charlotte, North Carolina.    

[Spotify] No!

Cyndi Killing it: Money Changes Everything

“Albatross”, PiL

This way: Albatross

Not all music should be enjoyable.
Public Image Ltd (abbreviated and stylized as PiL) are an English post-punk band formed by lead vocalist John Lydon (previously known as the lead vocalist of Sex Pistols), guitarist Keith Levene (one of the original members of The Clash), bassist Jah Wobble, and drummer Jim Walker in May 1978. The group's line-up has changed frequently over the years; Lydon has been the sole constant member.  

Following Lydon's departure from the Sex Pistols in January 1978, he sought a more experimental "anti-rock" project and formed PiL. That year PiL released their debut studio album First Issue (1978), creating an abrasive, bass-heavy sound that drew on dub, noise, progressive rock and disco. PiL's second studio album Metal Box (1979) pushed their sound further into the avant-garde, and is often regarded as one of the most important albums of the post-punk era.

By 1984, Levene, Wobble and Walker had departed and the group was effectively a solo vehicle for Lydon, who moved toward a more accessible sound with the commercially successful studio albums This Is What You Want... This Is What You Get (1984) and Album (1986). After a late 1990s hiatus, Lydon reformed the group in 2009 and has released several further albums, including What the World Needs Now... (2015). 

[Spotify] Albatross

“Cracking Up”, Nick Lowe

This way: Cracking Up

Nick Lowe is a Producer extraordinaire, so he knows his way around a studio. The production on this track seems to be so fantastic I can not quite explain it. 

Nick Lowe (born 24 March 1949) is an English singer-songwriter, musician and producer. A noted figure in pub rock, power pop and new wave, Lowe has recorded a string of well-reviewed solo albums. Along with being a vocalist, Lowe plays guitar, bass guitar, piano and harmonica.

He is best known for the songs "Cruel to Be Kind" (a US Top 40 single) and "I Love the Sound of Breaking Glass" (a top 10 UK hit), as well as his production work with Elvis Costello, Graham Parker, and others. Lowe also wrote "(What's So Funny 'Bout) Peace, Love, and Understanding", a hit for Costello and "I Knew the Bride (When She Used to Rock 'n' Roll)", a hit for Rockpile bandmate Dave Edmunds.

[Spotify] Cracking Up